Arsenio Rodríguez and the transnational flows of latin popular music

by David F. GarciМЃa

Publisher: Temple University Press in Philadelphia, Pa

Written in English
Cover of: Arsenio Rodríguez and the transnational flows of latin popular music | David F. GarciМЃa
Published: Downloads: 54
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Places:

  • Cuba,
  • Latin America

Subjects:

  • Rodríguez, Arsenio,
  • Musicians -- Cuba -- Biography,
  • Popular music -- Latin America -- History and criticism

Edition Notes

Includes bibliographical references (p. ), discography (p. ), and index.

StatementDavid F. Garcia.
GenreBiography.
SeriesStudies in Latin American and Caribbean music
Classifications
LC ClassificationsML410.R63235 G37 2006
The Physical Object
Paginationp. cm.
ID Numbers
Open LibraryOL3432049M
ISBN 101592133851, 159213386X
LC Control Number2005058042

Book Review of Creolizing Contradance in the Caribbean, edited by Peter Manuel. Philadelphia Temple University Press, , CENTRO: Journal of the Center for Puerto Rican Studies, Book Review of Arsenio Rodriguez and the Transnational Flows of Latin Popular Music, by David Garcia. Philadelphia, Temple University Press,   Book Review: Listening for Africa: Freedom, Journal of Popular Music Studies 1 March ; 31 (1): – doi: Arsenio Rodríguez and the Transnational Flows of Latin Popular Music (Philadelphia: Temple University Press, ). Glissant, Édouard, Poetics of Relation. David García, Arsenio Rodríguez and the Transnational Flows of Latin Popular Music Roger Kittleson, The Country of Football: Soccer and the Making of Modern Brazil These books are available at the University bookstore and elsewhere.   “He didn’t just play high-profile places like the Palladium, he was deeply involved in the life of the community,” said Mr. Garcia, who is the author of the book “Arsenio Rodríguez and the Transnational Flows of Latin Popular Music” and a professor of music at the University of North Carolina at Chapel Hill. “Unlike some other.

Listening for Africa: Freedom, Modernity, and the Logic of Black Music's African Origins - Ebook written by David F. Garcia. Read this book using Google Play Books app on your PC, android, iOS devices. Download for offline reading, highlight, bookmark or take notes while you read Listening for Africa: Freedom, Modernity, and the Logic of Black Music's African Origins. Search Menu FSP Twitter Link FSP Facebook Link FSP Youtube Link FSP Instagram Link.   The project grew out of his first book: Arsenio Rodríguez and the Transnational Flows of Latin Popular Music (Temple University Press, ). Returning to the same time period (s–s), he wanted to reexamine questions of race in the broader context of the United States and Latin . "David F. Garcia's linkage of jazz, Cuban and Latin American music, and Africa, along with his focus on understudied figures, is compelling. Garcia's work makes a powerful intervention in jazz studies as well as the field of Africanist ethnomusicology. We need this book." Freedom Sounds: Civil Rights Call out to Jazz and Africa - Ingrid Monson.

Written songs composed by Arsenio Rodriguez except track 3 by Justí Barreto *Information for this post was drawn from the excellent book, Arsenio Rodríguez and the Transnational Flows of Latin Popular Music by David F. García, Temple University Press.

Arsenio Rodríguez and the transnational flows of latin popular music by David F. GarciМЃa Download PDF EPUB FB2

Arsenio Rodríguez and the Transnational Flows of Latin Popular Music (Studies In Latin America & Car) Paperback – J by David F. Garcia (Author) Cited by: Arsenio Rodríguez and the Transnational Flows of Latin Popular Music.

Book Description: Arsenio Rodríguez was one of the most important Cuban musicians of the twentieth century. In this first scholarly study, ethnomusicologist David F. García examines Rodríguez's life, including the conjunto musical combo he led and the highly influential son montuno style of music he created in the s.

With firsthand accounts from relatives and fellow musicians, Arsenio Rodríguez and the Transnational Flows of Latin Popular Music follows Rodríguez's fortunes on several continents, speculating on why he never enjoyed wide commercial success despite the importance of his music.

García focuses on the roles that race, identity, and politics played in shaping Rodríguez's music and the trajectory of his musical. Arsenio Rodríguez and the transnational flows of latin popular music book firsthand accounts from relatives and fellow musicians, Arsenio Rodríguez and the Transnational Flows of Latin Popular Music follows Rodríguez's fortunes on several continents, speculating on why he never enjoyed wide commercial success despite the importance of his music.

With firsthand accounts from relatives and fellow musicians, "Arsenio Rodr guez and the Transnational Flows of Latin Popular Music "follows Rodr guez's fortunes on several continents, speculating on why he never enjoyed wide commercial success despite the importance of his music. Garc a focuses on the roles that race, identity, and politics played in shaping Rodr guez's music and the trajectory of his musical.

Arsenio Rodríguez and the Transnational Flows of Latin Popular Music. David Garcia. Temple University Press, - History - pages.

0 Reviews. Arsenio Rodríguez was one of the most. Over the last decade, the hugely successful recordings by the Afro-Cuban All Stars and various contributors to Buena Vista Social Club have brought the music of We use cookies to enhance your experience on our continuing to use our website, you are agreeing to our use of cookies.

An illustration of an open book. Books. An illustration of two cells of a film strip. Video An illustration of an audio speaker. Arsenio Rodríguez and the transnational flows of Latin popular music Arsenio Rodríguez and the transnational flows of Latin popular music.

An illustration of an open book. Books. An illustration of two cells of a film strip. Video An illustration of an audio speaker. Arsenio Rodriguez and the transnational flows of latin popular music Arsenio Rodriguez and the transnational flows of latin popular music.

"An engaging, timely, and thoroughly researched work that explores the accomplishments and legacy of one of Cuba's most important musicians and bandleaders, Arsenio Rodriguez Scull.

Garcia's book fills a voice on Cuban and Latin American popular music scholarship, painstakingly outlining the details of Arsenio's strong African playing style, and how his musical creations were Reviews: 5. Traces Arsenio Rodriguez's early career in Cuba, his influence on Cuban and Latin popular music in the s, his struggle for recognition at the height of mambo-mania in the s, and his Read more.

Arsenio Rodríguez and the transnational flows of Latin popular music. Philadelphia, PA: Temple University Press, (DLC) (OCoLC) Named Person: Arsenio Rodríguez; Arsenio Rodríguez; Arsenio Rodríguez; Arsenio Rodríguez; Arsenio Rodriguez: Material Type: Biography, Document, Internet resource: Document Type.

"arsenio rodríguez and the transnational flows of latin popular music. philadelphia: temple university press XII, p." published on by De Gruyter. With firsthand accounts from relatives and fellow musicians, Arsenio Rodr\u00edguez and the Transnational Flows of Latin Popular Music follows Rodr\u00edguez's fortunes on several continents, speculating on why he never enjoyed wide commercial success despite the importance of his s: 5.

Download Citation | Arsenio Rodríguez and the Transnational Flows of Latin Popular Music | Arsenio Rodriguez was one of the most important Cuban musicians of the twentieth century. In this. Cite this article. Guevara, G. Arsenio Rodriguez and the Transnational Flows of Latin Popular Music.

Lat Stud 5, – (). Cuban music making and a fan of Arsenio Rodriguez's son montuno sound, I highly recom- mend David Garcia's Arsenio Rodríguez and the Transnational Flows of Latin Popular Music as a model of contemporary musicological research, one which successfully achieves its goal.

Free 2-day shipping. Buy Arsenio Rodríguez and the Transnational Flows of Latin Popular Music at nd: David Garcia. Arsenio Rodríguez (born Ignacio Arsenio Travieso Scull; 31 August – 30 December ) was a Cuban musician, composer and bandleader. He played the tres, as well as the tumbadora, and he specialized in son, rumba and other Afro-Cuban music styles.

In the s and s Rodríguez established the conjunto format and contributed to the development the son montuno, the basic.

Find helpful customer reviews and review ratings for Arsenio Rodríguez and the Transnational Flows of Latin Popular Music (Studies In Latin America & Car) at Read honest and unbiased product reviews from our users/5.

Arsenio Rodriguez And the Transnational Flows of Latin Popular Music, Hardcover by Garcia, David F., ISBNISBNBrand New, Free shipping See details - Arsenio Rodriguez And the Transnational Flows of Latin Popular Music, Hardcov.

Arsenio Rodriguez & The Transnational Flows Of Latin Popular Music Book (Item )?/Temple, Brand:?/Temple (Label). The first author to elaborate a list including all of Rodríguez's official recordings was American ethnomusicologist David F. García, who published his work in a book entitled Arsenio Rodríguez and the Transnational Flows of Latin Popular Music (Temple University Press, ).

Arsenio Rodr guez and the Transnational Flows of Latin Popular Music, by David F. Garc a, 9/ Arsenio Rodriguez "Arsenio Rodriguez was a great Cuban bandleader, who reached the height of his formidable powers during the late s and s. “Arsenio Rodríguez was responsible for crucial developments in Latin music’s most important musical genres, son montuno, mambo and salsa, but his accomplishments.

Arsenio Rodríguez and the Transnational Flows of Latin Popular Music. David F. García. pages 6 x 9 5 tables, 18 figs., 12 halftones PB: $ Jun 06 HC: $ Jun 06 Ebook: $ Jun Certificate of Merit for Best Research in Recorded Folk, Ethnic, or World Music from the Association for Recorded Sound, The Association for Recorded Sound Collections awarded his first book, Arsenio Rodríguez and the Transnational Flows of Latin Popular Music (Temple University Press, ), a Certificate of Merit in the category Best Research in Folk, Ethnic, or World Music.

He is currently editing an anthology of Latin music, dance, and theater in the United. Cuban musician, composer and bandleader, Arsenio Rodriguez was born in Güira de Macurijes, Matanzas 30 Augustdied 30 December He played tres (type of guitar) and specialised in son, rumba and AfroCuban music styles.

Blind from the age of 7 he became one of Cuba's top tres players. In the s and s. With firsthand accounts from relatives and fellow musicians, Arsenio Rodríguez and the Transnational Flows of Latin Popular Music follows Rodríguez's fortunes on several continents, speculating on why he never enjoyed wide commercial success despite the importance of his music.

García focuses on the roles that race, identity, and politics. His publications include Arsenio Rodríguez and the Transnational Flows of Latin Popular Music (Temple University Press, ) and Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins (Duke University Press, ).

He is currently editing a critical reader on the history of Latin music, dance, and theater. His book Arsenio Rodríguez and the Transnational Flows of Latin Popular Music (Temple University Press, ) was awarded a Certificate of Merit in the category Best Research in Folk, Ethnic or World Music by the Association for Recorded Sound Collections in Bibliography: Cristóbal Díaz Ayala, notas al CD Cubanacán ; Max Salazar: "Arsenio Rodríguez, life was like a dream", Latin Beat, marzo Penguin, obra citada, pág Y sobre todo David García, "Arsenio Rodríguez and the Transnational Flows of Latin Popular Music" Temple University Press, Philadelphia, Arsenio Rodríguez and the Transnational Flows of Latin Popular Music Tucson, Arizona is where he lived with his daughter, Kiana Monay.

The Street Illuminati is the first of a five book series. view less. Rating: 0 out of 5 stars (0/5) Save Arsenio Rodríguez and the Transnational Flows of Latin Popular Music For Later.

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